09-29, 8 p.m., Filmmuseum: UNDERDOX opens with Thomas Heise SOLAR SYSTEM

This Thursday, the 6th edition of UNDERDOX will be opened with the new documentary by Thomas Heise, Solar System. (Thursdas, 09-29, 8 p.m., Filmmuseum, entrance fee: 6 euros )

Sonnensystem/Solar System Trailer HD from Thomas Heise on Vimeo.

Heise is well knewn as chronicler of the Eastern German “Wende”and documentary filmmaker of Eastern German phenomenons. In Solar System he entered a completely new terrain, and filmed the daily live of the Kullas, an indigenous community high up in the mountains of Northern Argentina.

Thomas Heise will attend the screening!

After the Q&A you’re invited to join us in the Stadtcafé for a self-baken quiche & Co.

Reservations: 089 / 23 39 64 50 (Filmmuseum)

See you on Thursday!

Your UNDERDOX team

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Catalogue and flyer for download!

Useful: The UNDERDOX programm flyer with timetable of all screenigs: Find here the PDF: UX_06_flyer

Great: The UNDERDOX catalogue with all films, videos and programms “Artist in Focus: Ben Rivers” and “Firewalkers of Greece”. Find here the PDF: UX_06_Katalog

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The UNDERDOX programme

Finally done! Find the complete UNDERDOX-program now online!

Solar System by Thomas Heise is this years opening film. Heise, a documentary filmmaker and dramatic director from Berlin, is entering a new territory: In the high mountains of Argentina he reveals the every day routine of indigenous Kollas, down in the valley he looks for the life of deaf-mute Fortunato. Further he learns about the story of Bernardo, whose tractor overturned. Heises film encounters without words, it is a narration about how to get to know each other and about seeing each other. (Thursday, 29.09., 8 p.m., Filmmuseum,  with the participation of Thomas Heise).

As Artist in Focus for this issue we present Ben Rivers, FIPRESCI award winner of the Venice festival 2011. A British flick-artist on the go! His films explore wild surroundings and enclosed worlds, giving a feeling of reminiscence about future time. Those memories are somehow occupied by a patina, which move his films into an indefinite distance, thanks to his principle of operation: Rivers is filming with a 16mm Bolex, most of the time in black and white, sometimes even on expired film stock. The exposed material is developed by himself. We are showing his unique 16mm Scope Trilogy! (Friday, 30.09., 6.30pm, Filmmuseum)

These days Greece suffers a lot and nobody talks about its position as cultural nation. We do. Vassily Bouriks from Thessaloniki is our guest curator. With participation of the Greek Film Archive, he compiled the program Firewalkers of Greece for us. It holds films of Joseph Hepp, Roussos Koundouros, chronicler of the 1950ies and 1960ies and Marina Gioti, filmmaker and video artist from Athens. (Thursday, 29.09., 8 p.m., Filmmuseum, with the participation of Vassily Bourikas)

Often history in movies is told by archived snippets. Two of our selected films, which explore the past, are using photographs: The Portuguese work 48 by Susana de Sous Dias reveals portraits of political prisoners out of 48 years dictatorship. Printed Matter is a Belgian-Israeli contribution of filmmakers Foighel & Efrat. By photographic contact prints they discover coexistence of political and private history: Intifada exists right beside a Sunday’s walk. (Both fims on Saturday, 18.30 p.m., Filmmuseum, with the participation of Foighel & Efrat)

Also this year, of course, we show fictional films between our terms of document and experiment: Isild Le Bescos brand new blast Bas-Fonds (Friday, 21 p.m., Filmmuseum), La BM du Seigneur (Saturday, 1.10., 20.30 p.m., Werkstattkino), The Sleeping Girl (Montag, 3.10., 20.30 p.m. Werkstattkino, with participation of Rainer Kirberg) and our closing film Finisterrae (Wednesday, 5.10., 22.30 p.m., Werkstattkino), a totally hilarious flick about the inner journey of two ghosts, directed by Katalan Caballero, the Sonar-Filmfestival maker.

Furthermore, in our UNDERDOX Shorts section, we show films by Luc Moullet, Boris Lehman and Austrian filmmakers, who make dogs fly and bring mice to live in flats. (Sunday, 8.30 p.m., Werkstattkino, with participation of Boris Lehman, Isabelle Martin and Nikolaus Eckhard)

Find all the films here.

Enjoy UNDERDOX!

The festival directors

Dunja Bialas & Bernd Brehmer

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About the UNDERDOX poster motive

Last year our photographer Cora Piantoni has started out a new series of the UNDERDOX festival motive ­– architectural bizarre monuments in Romania. Piantoni found this „Eastern bloc“ in a sculptural park in Constanța, the biggest port at the Black Sea. There she did researches in spring 2010 for a documentary project about sailors and their families. Learn more about Cora Piantoni…

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Save the date

UNDERDOX 2011 from September, 29th to October, 5th. And one extra day on October, 6th!

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Melting Borderline – Video Art from Japan

UNDERDOX Salon on May, 28th at the Werkstattkino, at 10:30 p.m.

“Melt your line. Dig films!” is the motto of the legendary UNDERDOX-Salon on Saturday night where video art from Japan will be shown. Six female video artists from Japan are melting the bounderies between gender, age and nationalities. Their videos are fiction and experiment, animation and video clip. Nozomi Matsuyama and Aiko Okamoto will be present for the show.

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Moe no suzaku

UNDERDOX half-time on May, 28th at the Werkstattkino, at 8:30 p.m.
Naomi Kawase – MOE NO SUZAKU (The God Suzaku), J 1997, 95 Min., jap. OmU

The second part of our half-time goes on similarly sensuous-ecologic, socio-critical and above all Japanophile. We show the Japanese director Naomi Kawase’s debut film MOE NO SUZAKU (THE GOD SUZAKU) from 1997 which won the Camera d’Or in Cannes and was awarded the FIPRESCI prize in the same year. Kawase’s works are relatively unknown over here. – In co-operation with the Japan Founation.
MOE NO SUZAKU (THE GOD SUZAKU) deals with the migration to the cities, tunnel construction and the decline of the timber industry. It is set in the early seventies in a small village far away from civilization. Time or rather timelessness plays an important role here. Subtly and with a sense for detail Kawase portrays the region where she grew up.

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Studies for the Decay of the West

UNDERDOX half-time on May, 26th at the Filmmuseum Munich at 7 p.m.

Klaus Wyborny / Oswald Spengler – STUDIES FOR THE DECAY OF THE WEST, GER 1979/2010, 80 Min.

fotoKlaus Wyborny is one of Germany’s great avantgarde documentary filmmakers. At the UNDERDOX half-time we show his latest film STUDIES ON THE DECLINE OF THE WEST, which was this year celebrated by Film Comment as “the best film of the Rotterdam Film Festival”. The film is inspired by Oswald Spengler’s book of the same title published in 1918, a swan song to human history as a history of progress.

From 1918 until today almost one hundred years have passed but human history has once again manifested itself as a history of decline in the nuclear catastrophe of Fukushima. Thus Wyborny’s film STUDIES ON THE DECAY OF THE WEST is double relevant: human history must be understood as a cycle of emerging and declining civilizations. Wyborny’s images of industrial ruins show the limitations of technological progress: it should always be reflected on by starting with the end. The film is a dance of images and sounds with the very sensuous intellectuality so typical for Wyborny.

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