Surfing the Black Wave – 50 Years of New Yugoslav Film

I: Parting and departure

Foto: Cvor – Krsto Papić

The Yugoslav black wave cinema of the sixties and the seventies is one of the grand, though hidden, chapters of cinema history. Talented young authors, working under the sign of individual expression and aesthetic experimentation, pushed and explored the limits of the constraints of a socialist state. Their efforts lead to a new path of visual expression, so outstanding by its social and political engagement, its formal invention and its courage.  

The program (in presence of Karpo Godina):

O ljubavnim veštinama ili film sa 14441 kvadratom (About the art of love or a film with 14441 frames) – Karpo Godina – JU 1972 — 10 Min. – Slowenisch — 35mm

A.P. (Anno Passato) – Karpo Godina – JU 1966 — 5 Min. – o. Dialoge — 8mm auf 35mm

Divjad (Game) – Karpo Godina – JU 1965 — 6 Min. – o. Dialoge — 8mm auf 35mm

Gratinirani mozak Pupilije Ferkeverk (The Gratinated Brains of Pupilija Ferkeverk) – Karpo Godina – JU 1970 — 15 Min. – ohne Dialoge — 35mm

Zdravi ljudi za razonodu (Litany of Happy People) – Karpo Godina – JU 1971 — 14 Min. – Slowenisch — 35mm

Halo München (Hello Munich)– Krsto Papić – JU 1968 — 12 Min. – Serbokroatisch — 35mm auf DigiBeta

Cvor (The Hub) – Krsto Papić –JU 1969 — 11 Min.– Serbokroatisch — 35mm

Nek se čuje i naš glas (Let Our Voices Be Heard Too) – Krsto Papić – JU 1971 — 15 Min. – Serbokroatisch — 35mm auf

Mala seoska priredba (A little village performance)– Krsto Papić – JU 1972 — 18 Min. – Serbokroatisch — 35mm auf DigiBeta

Specijalni Vlakovi (The Special Trains)– Krsto Papić – JU 1972 — 15 Min. – Serbokroatisch — 35mm

Budnica (Morning Song) – Petar Krelja – JU 1971 — 10 Min. – Serbokroatisch— 35mm auf BetaSP